NESFA

The New England Science Fiction Association is an active club based in the Boston area. It sponsors Boskone and ran NESFA Press. It is affiliated with MCFI and its members have been behind the Boston Worldcons.

Website.

History

The Early Days

NESFA coalesced in the aftermath of the collapse of the short-lived Boston Science Fiction Society and its (utterly) failed Boston in '67 Worldcon bid. Prompted by discussions at NYcon 3, the 1967 Worldcon, an organizational meeting was held September 23, 1967, at Bill Desmond's house. Tony Lewis was elected Acting Chairman and NESFA held its first meeting a couple weeks later on October 8, 1967.

Naturally, the first order of business was to select a name. The existing Boston Science Fiction Society was rejected because it had developed a troubled reputation. Also rejected were "Massachusetts Science Fiction Association", "Bay State Science Fiction Association", "Massachusetts Bay Science Fiction Association" and "The Boskonians" or The Eddoreans (The Eddoreans was actually used for a time as an alternative name, but didn't catch on.) The latter two were a deliberate following the tradition of The Lunarians.

NESFA's early projects included Boskone (though the first four of the modern series were run by people who would be NESFA members before NESFA had been organized) and indexes to the SF Magazines. To start with, NESFA stepped in to save Erwin Strauss's MITSFS Index, raising money by selling Boskone Life Memberships, but it then continued the Strauss index with annual NESFA Indexes.

Another major efevt in NESFA's history was Noreascon I, the 1971 Worldcon chaired by Tony Lewis. While Noreascon was technically run by a separate corporation, it was staffed by most of NESFA, and its considerable success was a major boost to the club's self-confidence. (Which was never low.) In fact, a couple years after the convention, its corporation was terminated and its remaining cash given to NESFA to publish the Noreascon Proceedings.

The Crisis

In the mid-70s, NESFA went through a period later referred to as The Crisis in which interpersonal issues blew up into a grand fight as a consequence of which, sadly, many previously active members gafiated. Few details are publicly known and few, if any, of the participants regret this.

The Years of Rapid Growth

In the late 70s, NESFA benefited enormously from the rapid growth of the minicomputer industry around Boston, especially the enormous success of DEC. These companies attracted fans and meant that Boston was home to a large number of well-paid, highly competent fen some of whom joined NESFA and many of whom attended Boskone. (In fact, by the late 70s the influence of Deccies (as they were called) was so great that (entirely joking) proposals were tabled to limit DEC employees to no more than 50% of the membership, and potential new members were greeted with "DEC or non-DEC?")

Boskone grew slowly through the 70s but, unbeknownst to NESFA,

The Collapse of the Giant Boskones

See Rise and Fall of the Giant Boskones for a detailed discussion.

Well-Known NESFAns

• Isaac Asimov
• Ben Bova
• Ann Chancellor
• Hal Clement
• Don Eastlake
• Jill Eastlake
• Filthy Pierre
• George Flynn
• Deb Geisler
• Aron Insinga
• Morris Keesan
• Tony Lewis
• Laurie Mann
• Mark Olson
• Priscilla Olson
• Sarah Prince
• Sharon Sbarsky
• Elliot Shorter
• Joe Siclari
• Jon Singer
• Leslie Turek
• Ben Yalow

Today

It is one of the rare sf clubs that boasts its own clubhouse, in which the group holds weekly meetings most Wednesday evenings, for socializing, projects, and miscellaneous business, plus two weekend meetings each month: a Business Meeting (for administration), and the Other Meeting. The club also publishes a regular newsletter, Instant Message, and hosts an annual convention, Boskone.

NESFAns also present two more or less annual awards, the Skylark Award and the Jack Gaughan Award, and dub some members and others Fellow of NESFA.

Their vigor in approaching fan politics and tendency to congregate together at conventions, sometimes in matching t-shirts, has caused some acerbic fans to refer to them as the "Marching NESFAns," and to remark, "NESFA makes the trains run on time."

Subgroups

NESFA Cavalry

A not-at-all organized subgroup of NESFA that, mainly int he 70s or early 80s, did horseback riding. Members included Leslie Turek and Ellen Franklin.

NESFA Displacement Authority

A committee of the willing dedicated to moving peoples' stuff from one places to another -- almost always with their permission, such as when fans moved house.

The Authority's finest hour was moving Drew Whyte in 1980 which defined the Drew, the only official fannish unit of movement.

Bookshelf Builders

When NESFA finally acquired its clubhouse (see below), it had a problem: many, many boxes of books in its library, which were all in boxes in various members' homes, and no bookshelves.

Monty Wells, the member with the most real skills with tools and building who had supervised turning the building NESFA purchased into a fir clubhouse, developed a plan for building a couple dozen sturdy, cheap, 3'x8' bookshelves to line the clubhouse's walls.

That went well enough that NESFA created a temporary bookshelf-building cooperative, and over the course of several summer weekends, club members built around sixty more bookshelves for their own use.

NESFA Clubhouse

NESFA purchased its clubhouse at 504 Medford St., Somerville, MA, in 1985. It is used for business and other meetings, the NESFA library, game nights, clubzine collations, con worksessions, storage of Coop crates and a bewildering amount of other stuff, bookcase construction parties, and whatever else local fen need space to do. Oh, there are a lot of books there too.

The clubhouse was a former dry cleaning establishment, and its purchase was finances by the club's available cash, plus a loan raised by means of the NESFA Lunar Realty Trust #1, which raised around $60,000 from club members as well as a generous loan from SCIFI. The club repaid the loans in full within about three years.

Deconstruction and reconstruction (a huge task -- see the articles below for much more on it) was led by the late Monty Wells. Many fen learned valuable skills which they later put to good use when they entered the housing market.

Reports and articles

• Saga of the NESFA Clubhouse by Mark Olson.
• Everything I Learned About Buying and Renovating Buildings I Learned from Monty Wells by Laurie Mann.
• File 770 56, p. 7 report by Mike Glyer.
• The Shaft.

NESFA Lunar Realty Trust #1

When NESFA decided to purchase a clubhouse (see Saga of the NESFA Clubhouse), it felt that it had enough income to pay for it, but not enough cash -- it needed a mortgage. But banks are not used to loaning money to fannish clubs (it probably could have been done, but it would have been very hard). Instead, NESFA decided to borrow money from its members and, to keep it formal and above-board, set up the NESFA Lunar Realty Trust #1 (as in Encyclopedia Galactica Foundation #1).

The NLRT was a trust organized under Massachusetts law (and largely set up by Don Eastlake) which collected around $60,000 towards the purchase price. The NLRT sold bonds worth $100 each and paid interest based on the prime rate. Most of the money was raised locally, but S.C.I.F.I., the organization which had just run the huge and financially quite successful LAcon II, purchased $20,000 worth of NLRT bonds. (It's noteworthy that they paid for it with 100 checks for $137 — it's a long story — plus one more check for $6300.) The NLRT bonds were paid off completely over the next two and a half years.

Publications

• APA:NESFA
• Instant Message
• NESFA Hymnal
• NESFA Index
• Proper Boskonian

NESFA Press

NESFA Press is the publishing pseudopod of NESFA. It published annual GoH books in conjunction with Boskone, a series of NESFA's Choice books bringing back into print the works of deserving classic SF writers, and reference books of science fiction and science fiction fandom.

It was founded in the early 1970s when Bill Desmond (with assistance from Robert Weiner and Donald M. Grant) produced the first Boskone Book. At about the same time, Tony Lewis started the NESFA Index, a continuation of the MITSFS Index. For many years, these were the nearly exclusive focus of NESFA Press.

By the late ’70s, NESFA Press had become moribund -- the NESFA Index was no longer being published and a combination of limited interest on the part of both NESFA and a series of Boskone GoHs, led to the Boskone Book going into hiatus. NESFA Press was revived by Chip Hitchcock (nearly singlehandedly) producing a Boskone Book for Boskone 18 in 1981 (Unsilent Night by Tanith Lee).

In the early ’90s, Mark Olson pioneered the NESFA's Choice series of books, bringing back into print classic sf in quality hardbacks. This series eventually extended to over 25 volumes.

NESFA Press was given a Special Committee Award at Denvention 3 in 2008, but by around 2010, the club had lost interest in publishing and the press's output had declined to about a book a year. However, it still brings a NESFA Press Guest to Boskone.

• SF Encyclopedia entry.
• NESFA Press website.

Fannish NESFA Press publications

• NESFA Index
• 1976 -- Noreascon Proceedings
• 1990 -- An Annotated Bibliography of Recursive Science Fiction
• 1992 -- Let's Hear It for the Deaf Man by Dave Langford
• 1994 -- Making Book by Teresa Nielsen Hayden
• 1996 -- The Silence of the Langford by Dave Langford
• 2004 -- Fancestral Voices by Jack Speer
• 2004 -- With Stars in My Eyes by Peter Weston
• 2016 -- Making Conversation by Teresa Nielsen Hayden

Boskone Book

Starting in 1972 with L. Sprague de Camp's Scribblings at Boskone 10, NESFA Press has usually published a Boskone Book by Boskone's GoH. The books are sometimes collections of stories, sometimes essays, and sometimes trunk novels.

They are always limited, numbered editions. In the early days, the books were a small size -- just larger than a typical mass-market paperback -- but starting with Boskone 30, the Boskone Book became a more normal size: 8.5"x5.5".

The edition is usually split with the bulk of the edition being simply numbered, while the lower numbers were in some way special. In the early days, they were "finebound" -- low-numbered copies of the regular state rebound in leather. Later they were a state bound in leatherette and slipcased. The special state is always signed by the author and artist.

In recent years, having a Boskone Book at each Boskone has started to become the exception rather than the rule.

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Club

1967—

This is a club page. Please extend it by adding information about when and where the club met, when and by whom it was founded, how long it was active, notable accomplishments, well-known members, clubzines, any conventions it ran, external links to the club's website, other club pages, etc. When there's a floreat (Fl.), this indicates the time or times for which we have found evidence that the club existed. This is probably not going to represent the club's full lifetime, so please update it if you can!