Difference between revisions of "Grue"
Line 8: | Line 8: | ||
19 || Winter 1953 || 24 || || | 19 || Winter 1953 || 24 || || | ||
20 || Spring 1954 || 46 || 67 || | 20 || Spring 1954 || 46 || 67 || | ||
− | 21 || Summer 1954 || 46 || || In ''[[Psychotic]]'' 16, [[Dick Geis]] wrote: “This issue is noteworthy for the cover which is a picture of the creature from the Black Lagoon wearing a [[propeller beanie]] and with the words "I am NOT [[Shelby Vick]]" lettered across his chest, a fascinating [[article]] by [[Bob Tucker]] which discusses [[Claude Degler]], a fabulous [[fannish]] character of the past, a long and nicely written [[Midwestcon]] [[conrep|report]] by [[P. E. Economou]] titled "Bellefontaine Buffet"; a page long letter from [[Bob Bloch]], a section of "nurrsery Rhymes," an account of a two week vacation trip to the West by | + | 21 || Summer 1954 || 46 || || In ''[[Psychotic]]'' 16, [[Dick Geis]] wrote: “This issue is noteworthy for the cover which is a picture of the creature from the Black Lagoon wearing a [[propeller beanie]] and with the words "I am NOT [[Shelby Vick]]" lettered across his chest, a fascinating [[article]] by [[Bob Tucker]] which discusses [[Claude Degler]], a fabulous [[fannish]] character of the past, a long and nicely written [[Midwestcon]] [[conrep|report]] by [[P. E. Economou]] titled "Bellefontaine Buffet"; a page long letter from [[Bob Bloch]], a section of "nurrsery Rhymes," an account of a two week vacation trip to the West by Grennell Himself, a long and interesting [[letter column]] and ... [[photographs]] which were astonishingly put on a [[stencil]] by a process called [[stenofaxing]].<br><br>“[[Jim Bradley]], a local [[Portland]] [[fan]] who edits a [[zine]] titled [[Lyric|LYRIC]], after seeing this issue went away muttering to himself. The absolutely perfect [[mimeography]] in GRUE was a terrific shock to him, printed as it is in a pleasing blue. That was bad, but the [[stenciled]] photos were too much for him; his eyes glazed and he murmured the magic word '[[Gestetner]]' as he staggered off in search of a bottle of [[bheer|beer]].” |
22 || Autumn 1954 || 46 || 69 || | 22 || Autumn 1954 || 46 || 69 || | ||
23 || March 1955 || 53 || || includes short stories by [[Harlan Ellison]] and [[Robert Silverberg]] | 23 || March 1955 || 53 || || includes short stories by [[Harlan Ellison]] and [[Robert Silverberg]] | ||
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{{fancy2|text= | {{fancy2|text= | ||
− | ([[Grennell]]) Probably will prove one of the [[fanzines]] of history. Its complete genesis is worth quoting as a specimen: | + | ([[Dean Grennell|Grennell]]) Probably will prove one of the [[fanzines]] of history. Its complete genesis is worth quoting as a specimen: |
"In casting about for a [[fanzine]] title, I considered several: ''Stellar Stories'', ''Fiasco'', and ''Grue: The Fan's Magazine'' [quasi, ''True, The Man's Magazine'', published about this time], were three I kept coming back to. I discovered that my sneaky subconscious had picked up the first from an ad in [[Other Worlds|Other (ptui!) Worlds]]. I asked the advice of friend-and-mentor [[Bob Silverberg]] and he opined that either ''Fiasco'' or ''Grue'' would act as a deadly blight on a [[fanzine]]... in fact, why did I want to cast yet another effort into a field already sadly overcrowded? Despite this, perhaps even because of it, I clung to ''Grue'' as a title. Sometime in January of 1953 I drew up a tentative cover for it, bearing a picture of a little man in a spacesuit standing beside his rocket in a moon-crater, about to light a fuse trailing out the bottom of it. I stuck this to the wall for a while and later, as I finished writing a larger-than-usual letter to someone, I put the cover picture on the front of the letter, stapled it down the left margin, and so ''Grue'' was born. [Trumpets off.] | "In casting about for a [[fanzine]] title, I considered several: ''Stellar Stories'', ''Fiasco'', and ''Grue: The Fan's Magazine'' [quasi, ''True, The Man's Magazine'', published about this time], were three I kept coming back to. I discovered that my sneaky subconscious had picked up the first from an ad in [[Other Worlds|Other (ptui!) Worlds]]. I asked the advice of friend-and-mentor [[Bob Silverberg]] and he opined that either ''Fiasco'' or ''Grue'' would act as a deadly blight on a [[fanzine]]... in fact, why did I want to cast yet another effort into a field already sadly overcrowded? Despite this, perhaps even because of it, I clung to ''Grue'' as a title. Sometime in January of 1953 I drew up a tentative cover for it, bearing a picture of a little man in a spacesuit standing beside his rocket in a moon-crater, about to light a fuse trailing out the bottom of it. I stuck this to the wall for a while and later, as I finished writing a larger-than-usual letter to someone, I put the cover picture on the front of the letter, stapled it down the left margin, and so ''Grue'' was born. [Trumpets off.] |
Latest revision as of 06:19, 14 August 2023
A fanzine published by Dean Grennell and circulated through FAPA. It was nominated for the 1956 Best Fanzine Hugo.
Issue | Date | Pages | FAPA Mailing | Notes |
---|---|---|---|---|
1-14 | The first 14 issues had a print run of 1 copy while Grennell was living in Germanstown | |||
15 | June 1953 | 6 | "A truly horrid mmischmosch committed on a Rex-O-Graph, for which I should like to disclaim all responsibility." | |
18 | Fall 1953 | 12 | #s 1-17 were Letter substitutes | |
19 | Winter 1953 | 24 | ||
20 | Spring 1954 | 46 | 67 | |
21 | Summer 1954 | 46 | In Psychotic 16, Dick Geis wrote: “This issue is noteworthy for the cover which is a picture of the creature from the Black Lagoon wearing a propeller beanie and with the words "I am NOT Shelby Vick" lettered across his chest, a fascinating article by Bob Tucker which discusses Claude Degler, a fabulous fannish character of the past, a long and nicely written Midwestcon report by P. E. Economou titled "Bellefontaine Buffet"; a page long letter from Bob Bloch, a section of "nurrsery Rhymes," an account of a two week vacation trip to the West by Grennell Himself, a long and interesting letter column and ... photographs which were astonishingly put on a stencil by a process called stenofaxing. “Jim Bradley, a local Portland fan who edits a zine titled LYRIC, after seeing this issue went away muttering to himself. The absolutely perfect mimeography in GRUE was a terrific shock to him, printed as it is in a pleasing blue. That was bad, but the stenciled photos were too much for him; his eyes glazed and he murmured the magic word 'Gestetner' as he staggered off in search of a bottle of beer.” | |
22 | Autumn 1954 | 46 | 69 | |
23 | March 1955 | 53 | includes short stories by Harlan Ellison and Robert Silverberg | |
24 | Summer 1955 | 30 | ||
25 | November 1955 | 30 | 73 | |
26 | December 1955 | 22 | ||
27 | February 1956 | 22 | 74 | |
28 | May 1956 | 50 | 75 | |
29 | April 1958 | 56 | 83 | Last genzine issue |
30 | August 1962 | 8 | 100 | |
31 | August 1963 | 10 | 104 | |
31B | August 1969 | Labelled #31 -- duplicate number | ||
32 | ...made up for by skipping #32 | |||
33 | February 1970 | |||
34 | ||||
35 | ||||
36 | November 1971 | |||
37 | August 1973 | 8 | 144 | |
38 | ||||
NN | August 1974 | 1 | ||
39 | ||||
40 | November 1977 | 4 | ||
41 | November 1977 | 4 | Single-sided | |
42 | February 1978 | 9 | " | |
43 | August 1979 | 10 | 168 | " |
There was also a joint issue with Tucker called Le Gruesome Zombie.
- Grue online at fanac.org
From Fancyclopedia 2, ca. 1959 |
(Grennell) Probably will prove one of the fanzines of history. Its complete genesis is worth quoting as a specimen:
"In casting about for a fanzine title, I considered several: Stellar Stories, Fiasco, and Grue: The Fan's Magazine [quasi, True, The Man's Magazine, published about this time], were three I kept coming back to. I discovered that my sneaky subconscious had picked up the first from an ad in Other (ptui!) Worlds. I asked the advice of friend-and-mentor Bob Silverberg and he opined that either Fiasco or Grue would act as a deadly blight on a fanzine... in fact, why did I want to cast yet another effort into a field already sadly overcrowded? Despite this, perhaps even because of it, I clung to Grue as a title. Sometime in January of 1953 I drew up a tentative cover for it, bearing a picture of a little man in a spacesuit standing beside his rocket in a moon-crater, about to light a fuse trailing out the bottom of it. I stuck this to the wall for a while and later, as I finished writing a larger-than-usual letter to someone, I put the cover picture on the front of the letter, stapled it down the left margin, and so Grue was born. [Trumpets off.] "So went the first fourteen copies; all custom-made, with hand-drawn illos, tipped-in photos, etc. Number fifteen was a four-page kind of one-shot done on a spirit duplicator. 16&17 reverted to typed originals again and when I got into FAPA in the fall of 1953 I decided to keep the title as a FAPAzine, so it appeared there as #18. All issues since then have been consecutively published -- from 20 onwards with the use of Gestetner in blue on white. There have been a few custom issues of Grue since then, but these are given fractional numbers to fit them in between the published issues, as 'GRUE #25 1/2'." -- Dean Grennell. |
Publication | 1953—1979 |
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