Difference between revisions of "Karen Kruse Anderson"

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''(Did you mean [[Seattle]] fan [[Karen G. Anderson]]?)''
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(September 16, 1932 – March 17, 2018)
 
(September 16, 1932 – March 17, 2018)
  
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Her first awareness of [[prozines]] came with the discovery of some ''[[Astounding|Astoundings]]'' in the garage in 1944. In 1952, after her family had moved to the [[D. C.]] area, she discovered the [[Washington Science Fiction Association]] (was its secretary in 1952-53, and worked on [[Disclave 3]]), attended the [[Worldcon]] in [[Chicago]], and began publishing her first [[fanzine]] in [[SAPS]]. The fanzine's full name was ''[[Die Zeitschrift fur Vollstandigen Unsinn]]'' (The Journal for Utter Nonsense); that was soon abbreviated to ''[[The Zed]]''.  She overthrew [[Walter Coslet]] from being [[OE]] of [[SAPS]] for overreaching.  She was a member of [[The Cult]].
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'''June Millichamp "Karen" Kruse Anderson’s''' first awareness of [[prozines]] came with the discovery of some ''[[Astounding|Astoundings]]'' in the garage in 1944. In 1952, after her family had moved to the [[D.C.]] area, she discovered the [[Washington Science Fiction Association]] (was its [[secretary]] in 1952–53, and worked on [[Disclave 3]]), attended the [[Worldcon]] in [[Chicago]], and began publishing her first [[fanzine]] in [[SAPS]]. The fanzine's full name was ''[[Die Zeitschrift fur Vollstandigen Unsinn]]'' (The Journal for Utter Nonsense); that was soon abbreviated to ''[[The Zed]]''.   
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She overthrew [[Walter Coslet]] as [[OE]] of [[SAPS]] for overreaching.  She was a member of [[The Cult]]. Her [[publishing house]] was '''Operation [[Voldesfan]]'''.
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At the [[Chicon]], she met [[Poul Anderson]], [[John W. Campbell, Jr.]], [[Anthony Boucher]], [[Gordon R. Dickson]], and many others. [[Correspondence]] with [[Poul Anderson|Anderson]], during one year's study in the drama department and partying with physics and engineering majors at Catholic University, convinced her that scientists<ref>(Well, one of them was Hugh Everett; this was two years before he went on to study with Wheeler. She was going steady with Everett's sidekick.)</ref> were more fun than actors and [[SF]] writers even more; she would rather have the life of a writer's wife in [[California]] than stay in school and try for the stage.
  
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At the [[Chicon]] she had met [[Poul Anderson]], [[John W. Campbell, Jr.]], [[Anthony Boucher]], [[Gordon R. Dickson]], and many others. Correspondence with [[Poul Anderson|Anderson]], during one year's study in the drama department and partying with physics and engineering majors at Catholic University, convinced her that scientists<ref>(Well, one of them was Hugh Everett; this was two years before he went on to study with Wheeler. She was going steady with Everett's sidekick.)</ref> were more fun than actors and SF writers even more; she would rather have the life of a writer's wife in California than stay in school and try for the stage.
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Poul was already making his living selling [[science fiction]] to Campbell and Boucher, some of it in collaboration with Dickson, when they had roomed in the same house in the University of Minnesota district.  Campbell's ''[[Astounding]]'' and Boucher's ''[[F&SF]]'' couldn't support them fully, and he also whipped out [[space opera]] for the likes of ''[[Amazing]]'' and ''[[Planet Stories]]''. When their daughter [[Astrid Anderson|Astrid]] was born, Poul took a job at the Western Research Lab of the USDA.
  
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Poul was already making his living selling science fiction to Campbell and Boucher, some of it in collaboration with Dickson, when they had roomed in the same house in the University of Minnesota district.  Campbell's ''[[Astounding]]'' and Boucher's ''[[F&SF]]'' couldn't support them fully, and he also whipped out space opera for the likes of ''[[Amazing]]'' and ''[[Planet Stories]]''. When their daughter [[Astrid Anderson|Astrid]] was born, Poul took a job at the Western Research Lab of the USDA.
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They were both active in the [[Little Men|Elves', Gnomes', and Little Men's Science Fiction, Chowder, and Marching Society]], and were fully involved in [[SFCon]], the [[Worldcon]] put on in [[San Francisco]] by the [[club]]. Karen appeared at the [[masquerade]] as a typical [[Bergey|Bergey Beauty]] cover illustration for magazines such as ''[[Planet Stories]]''. She later joined [[LASFS]].
  
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They were both active in the [[Little Men|Elves', Gnomes', and Little Men's Science Fiction, Chowder, and Marching Society]], and were fully involved in [[SFCon]], the [[Worldcon]] put on in [[San Francisco]] by the [[Little Men]]. Karen appeared at the [[masquerade]] as a typical Bergey Girl cover illustration for magazines such as ''[[Planet Stories]]''. She later joined [[LASFS]].
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[[File:PohlCarol-KarenAnderson1966.jpeg|thumb|left|'''[[Carol Pohl]], left, and Karen Anderson in the “A [[Galaxy]] of [[Fan Fashion|Fashion]]” Show at [[Tricon]], 1966. ''' ]]
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She began her [[masquerade|costuming]] career at [[Chicon]], and later won numerous [[regional]] and [[Worldcon]] costume prizes, including that "Countess Dracula" at [[solacon|Southgate]] (1958) which went on to be revived into "The Bat and the Bitten" with Astrid in [[St. Louiscon|St Louis, 1969]]. Another was a "Dragon Mistress" which fortunately did not come into competition with [[Bruce Pelz]]'s "Heavy Trooper." 
  
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She had begun her costuming career at [[Chicon]], and later won numerous regional and world convention costume prizes, including that "Countess Dracula" at [[solacon|Southgate]] (1958) which went on to be revived into "The Bat and the Bitten" with [[Astrid]] in [[St. Louiscon|St Louis, 1969]]. Another was a "Dragon Mistress" which fortunately did not come into competition with [[Bruce Pelz]]'s "Heavy Trooper."  She published the long-running [[FAPAzine]], ''[[Goliard]]'' as well as ''[[Alif]]'' and also ''[[Calmatema]]'' for [[The Cult]] and ''[[Ampersand (Anderson)]]''. Other [[fanzines]] included ''[[Vorpal Glass]]'' as well as miscellaneous [[one-shots]].
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Over the years, she staged a number of [[fannish plays]] and [[filk operetta]]s, including: ''[[Mag Net]]'' in 1956, ''[[Alice in Thrillingwonderland]]'' in the late 1950s or early ’60s, ''[[The Birth of a Notion]]'' (by [[Robert Bloch]]) in the ’50s, ''[[HMS Trek-a-Star]]'' at [[Baycon (Worldcon)]] in 1968, and ''[[Hatty, or St. Simon's Bride]]'' in 1995.
  
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Over the years she staged a number of [[fannish plays]] and [[filk operetta]]s, including: ''[[Mag Net]]'' in 1956, ''[[Alice in Thrillingwonderland]]'' in the late 50's or early 60's, ''[[The Birth of a Notion]]''(by [[Robert Bloch]]) in the 50's, ''[[HMS Trek-a-Star]]'' at [[Baycon (Worldcon)]] in 1968, and ''[[Hatty, or St. Simon's Bride]]'' in 1995.
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She modeled in the “A [[Galaxy]] of [[Fan Fashion|Fashion]]” Show at [[Tricon]], the 1966 Worldcon, sponsored by  The [[prozine]] ''Galaxy''.
  
 
In May 1960, [[John Trimble]] published ''[[A Fanzine for Karen Anderson]]''.
 
In May 1960, [[John Trimble]] published ''[[A Fanzine for Karen Anderson]]''.
  
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{{link | website=http://file770.com/?p=41326|text=File 770 Obituary}}
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*{{link | website=https://file770.com/?p=41326|text=File 770 Obituary.}}
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*{{SFE|name=anderson_karen}}
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{{fanzines}}
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* ''[[Alif]]'' (for [[The Cult]])
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* ''[[Ampersand (Anderson)]]''
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* ''[[Calmatema]]'' (for [[The Cult]])
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* ''[[Goliard]]'' (for [[FAPA]])
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* ''[[Henry Kuttner: A Memorial Symposium]]'' [1958]
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* ''[[Vorpal Glass]]''
  
 
{{recognition}}
 
{{recognition}}
 
* 1976 -- [[Sampo Award]]
 
* 1976 -- [[Sampo Award]]
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* 1985 -- [[ConClave X]]
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* 1984 -- [[Omacon 4]]
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* 1985 -- [[ConClave X]], [[Con-Version II]]
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* 1987 -- [[Xanadu 4]]
 
* 1989 -- [[Life, the Universe, & Everything 7]]
 
* 1989 -- [[Life, the Universe, & Everything 7]]
 
* 1997 -- [[ConClave XXII]]
 
* 1997 -- [[ConClave XXII]]
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* 2011 -- [[Boskone 48]] ([[NESFA Press Guest]])
 
* 2011 -- [[Boskone 48]] ([[NESFA Press Guest]])
  
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____<br>
 
<references/>
 
<references/>
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{{person | born=1932 | died=2018}}
 
{{person | born=1932 | died=2018}}
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[[Category:filk]]
 
[[Category:filk]]
 
[[Category:US]]
 
[[Category:US]]
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[[Category:pro]]

Latest revision as of 19:47, 3 February 2024

(Did you mean Seattle fan Karen G. Anderson?)


(September 16, 1932 – March 17, 2018)

June Millichamp "Karen" Kruse Anderson’s first awareness of prozines came with the discovery of some Astoundings in the garage in 1944. In 1952, after her family had moved to the D.C. area, she discovered the Washington Science Fiction Association (was its secretary in 1952–53, and worked on Disclave 3), attended the Worldcon in Chicago, and began publishing her first fanzine in SAPS. The fanzine's full name was Die Zeitschrift fur Vollstandigen Unsinn (The Journal for Utter Nonsense); that was soon abbreviated to The Zed.

She overthrew Walter Coslet as OE of SAPS for overreaching. She was a member of The Cult. Her publishing house was Operation Voldesfan.

At the Chicon, she met Poul Anderson, John W. Campbell, Jr., Anthony Boucher, Gordon R. Dickson, and many others. Correspondence with Anderson, during one year's study in the drama department and partying with physics and engineering majors at Catholic University, convinced her that scientists[1] were more fun than actors and SF writers even more; she would rather have the life of a writer's wife in California than stay in school and try for the stage.

Poul was already making his living selling science fiction to Campbell and Boucher, some of it in collaboration with Dickson, when they had roomed in the same house in the University of Minnesota district. Campbell's Astounding and Boucher's F&SF couldn't support them fully, and he also whipped out space opera for the likes of Amazing and Planet Stories. When their daughter Astrid was born, Poul took a job at the Western Research Lab of the USDA.

They were both active in the Elves', Gnomes', and Little Men's Science Fiction, Chowder, and Marching Society, and were fully involved in SFCon, the Worldcon put on in San Francisco by the club. Karen appeared at the masquerade as a typical Bergey Beauty cover illustration for magazines such as Planet Stories. She later joined LASFS.

Carol Pohl, left, and Karen Anderson in the “A Galaxy of Fashion” Show at Tricon, 1966.

She began her costuming career at Chicon, and later won numerous regional and Worldcon costume prizes, including that "Countess Dracula" at Southgate (1958) which went on to be revived into "The Bat and the Bitten" with Astrid in St Louis, 1969. Another was a "Dragon Mistress" which fortunately did not come into competition with Bruce Pelz's "Heavy Trooper."

Over the years, she staged a number of fannish plays and filk operettas, including: Mag Net in 1956, Alice in Thrillingwonderland in the late 1950s or early ’60s, The Birth of a Notion (by Robert Bloch) in the ’50s, HMS Trek-a-Star at Baycon in 1968, and Hatty, or St. Simon's Bride in 1995.

She modeled in the “A Galaxy of Fashion” Show at Tricon, the 1966 Worldcon, sponsored by The prozine Galaxy.

In May 1960, John Trimble published A Fanzine for Karen Anderson.

Fanzines and Apazines:

Awards, Honors and GoHships:

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  1. ↑ (Well, one of them was Hugh Everett; this was two years before he went on to study with Wheeler. She was going steady with Everett's sidekick.)


Person 1932—2018
This is a biography page. Please extend it by adding more information about the person, such as fanzines and apazines published, awards, clubs, conventions worked on, GoHships, impact on fandom, external links, anecdotes, etc. See Standards for People and The Naming of Names.

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