Difference between revisions of "Max Keasler"
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(1932 – August 12, 1968) | (1932 – August 12, 1968) | ||
| − | '''W. Max Keasler''' | + | '''W. Max Keasler''', a [[St. Louis]]-area [[fan]], was one of the leading [[fans]] of the 1950s and of [[Sixth Fandom]], but had largely [[gafiated]] by the ’60s. [[Ray Nelson]] had interested him in [[fandom]], and while still in high school, he had [[published]] ''[[Fanvariety]]'' in the very early 1950s and for a time was enormously prolific with a rough and ready [[writing]] and [[editor|editing]] style. He was a [[fanartist]], too; [[Harlan Ellison]] called him a “true ‘craftsman’ of the field” of [[fanzine]] [[art]] in ''[[Sol]]'' IX. |
| − | Along with [[Rich Elsberry]] and [[Roger Sims]], he was the actual renter of [[Room 770]] at [[Nolacon]]. He created [[Fanvariety Enterprises]], and published ''[[Opus (Keasler)]]''. He was known as an enemy of (or, at least, on unfriendly terms with) [[ | + | Along with [[Rich Elsberry]] and [[Roger Sims]], he was the actual renter of [[Room 770]] at [[Nolacon]]. He created [[Fanvariety Enterprises]], and published ''[[Opus (Keasler)]]''. He was known as an enemy of (or, at least, on unfriendly terms with) [[grammar]]. He published ''[[Universal Fanvariety]]'' with [[Ray Nelson]]. |
| − | ''[[Opus]]'' ran into problems with the Post Office because of content -- [[fans]] saw [[Censorship]] -- and due to obscure regulations about staples. When one post office refused to mail it, he went to another and later said that "It's the first time I ever border-ran a fanzine." | + | ''[[Opus]]'' ran into problems with the Post Office because of content -- [[fans]] saw [[Censorship]] -- and due to obscure regulations about staples. When one post office refused to mail it, he went to another and later said that "It's the first time I ever border-ran a [[fanzine]]." |
He left [[fandom]] abruptly when he enlisted in the Navy, though he credited his [[fanac]] with getting him a good Navy job. | He left [[fandom]] abruptly when he enlisted in the Navy, though he credited his [[fanac]] with getting him a good Navy job. | ||
[[Lee Hoffman]] said of him, "Max was the personification of [[Sixth Fandom]] in America: young, witty, enthusiastic. He openly avowed that he never read [[science fiction]]. He blazed across the fan skies, speaking in [[interlineations]], [[publishing]] monthly, filling the world with [[Ray Nelson]] drawings. Then he disappeared." | [[Lee Hoffman]] said of him, "Max was the personification of [[Sixth Fandom]] in America: young, witty, enthusiastic. He openly avowed that he never read [[science fiction]]. He blazed across the fan skies, speaking in [[interlineations]], [[publishing]] monthly, filling the world with [[Ray Nelson]] drawings. Then he disappeared." | ||
| + | |||
| + | {{fanzines}} | ||
| + | * ''[[Al la Baboom]]'' | ||
| + | * ''[[Opus (Keasler)]]'' | ||
| + | * ''[[Universal Fanvariety]]'' (with [[Ray Nelson]]) | ||
Revision as of 03:14, 25 December 2020
(1932 – August 12, 1968)
W. Max Keasler, a St. Louis-area fan, was one of the leading fans of the 1950s and of Sixth Fandom, but had largely gafiated by the ’60s. Ray Nelson had interested him in fandom, and while still in high school, he had published Fanvariety in the very early 1950s and for a time was enormously prolific with a rough and ready writing and editing style. He was a fanartist, too; Harlan Ellison called him a “true ‘craftsman’ of the field” of fanzine art in Sol IX.
Along with Rich Elsberry and Roger Sims, he was the actual renter of Room 770 at Nolacon. He created Fanvariety Enterprises, and published Opus. He was known as an enemy of (or, at least, on unfriendly terms with) grammar. He published Universal Fanvariety with Ray Nelson.
Opus ran into problems with the Post Office because of content -- fans saw Censorship -- and due to obscure regulations about staples. When one post office refused to mail it, he went to another and later said that "It's the first time I ever border-ran a fanzine."
He left fandom abruptly when he enlisted in the Navy, though he credited his fanac with getting him a good Navy job.
Lee Hoffman said of him, "Max was the personification of Sixth Fandom in America: young, witty, enthusiastic. He openly avowed that he never read science fiction. He blazed across the fan skies, speaking in interlineations, publishing monthly, filling the world with Ray Nelson drawings. Then he disappeared."
| Person | 1932—1968 |
| This is a biography page. Please extend it by adding more information about the person, such as fanzines and apazines published, awards, clubs, conventions worked on, GoHships, impact on fandom, external links, anecdotes, etc. See Standards for People and The Naming of Names. |
