Cry of the Nameless

Clubzine of The Nameless Ones starting in the 50s, but by the mid-50s it had shortened its named to just Cry and had ceased to be a clubzine. It was edited for most of its lifetime by F. M. Busby with help from a number of people including Elinor Busby. In the 60s it was mainly the work of Wally Weber.

It won the 1960 Best Fanzine Hugo, and was nominated for the 1959 Best Fanzine Hugo and the 1962 Best Fanzine Hugo

In the 50s it earned the reputation as one of the most fannish fanzines and one of its most popular features was its large letters column, "Cry of the Readers". It was the conduit into fandom for many younger fans who were just beginning to send off for fanzines and was a place where newer fans were at home with science fiction personalities such as Ellison, Asimov, Silverberg, Walt Willis, and Harry Warner, Jr.. Becoming a Cry letterhack was a kind of fannish rite of passage.

Other features included a prozine review column by F. M. Busby (as "Renfrew Pemberton"), the "Fandom Harvest" column by Terry Carr and John Berry's serialized 1959 North American trip report "The Goon Goes West".

Issue #135, the tenth annish was the first issue of 1960 and was one of the best. In that issue, Hal Lynch provided a piece of fan fiction about a fan who wanted to make a 12-hour film based on Sam Moskowitz's The Immortal Storm. Jose Ferrer played Don Wollheim; Gregory Peck as Bob Tucker; Yul Brynner as Hoy Ping Pong; and Raymond Burr as Moskowitz. It also included Dean Grennell denying that he was Les Nirenberg, an article by Les Gerber "How to Write Faan Fiction", and a letter from Bob Lichtman that summarized how many seasoned fans must have felt about fandom as the 1960s were just beginning: "I'm glad I'm not joining fandom now; think of all the things I'd have to wait ever so long to enter into the fun of, while I'm already in them. The learning process continues, and as I read every new fanzine I get, and with every letter I receive, and so on. I doubt that even Bloch knows everything about fandom, but imagine what a vast knowledge the elder Ghods like he and Tucker must have -- fannish allusions and jokes long forgotten by other fen."

Cry ceased publication after the 174th issue in mid 1964 primarily due to Wally Weber being moved by his employer, Boeing, from the Seattle area to Huntsville, Alabama. It briefly made a comeback in the late 1960s under Vera Heminger, but it wasn't the same.

rich brown, a frequent contributor to the letters column, looked back at Cry some decades later, and delivered this eulogy: "No other fanzine of the time had quite the same mixture of pros and BNFs and new fanzine fans as enthusiastic participants; people didn't just 'like' Cry, they were genuinely fond of it."

Issue	Date	Pages	Notes
113	March 1958	36
114	April 1958	38
116	June 1958	48
118	August 1958	50
121	November 1958
122	December 1958	40
123	January 1959	36
124	February 1959	46
125	March 1959	46
126	April 1959	46
127	May 1959	46
128	June 1959	42
129	July 1959	38
130	August 1959	46
131	September 1959	34
132	October 1959	38
133	November 1959	34
134	December 1959	54
135	January 1960	104
136	February 1960	46
137	March 1960	66
138	April 1960	52
139	May 1960	48
140	June 1960	50
141	July 1960	54
142	August 1960	44
143	September 1960	44
144	November 1960	42
145	December 1960	62
146	January 1961	46	Title changes to simply Cry
147	February 1961	34
148	March 1961	44
149	April 1961	44
150	May 1961	38
151	June 1961	32
152	August 1961	38
153	October 1961	38
154	November 1961	32
155	December 1961	36
157	February 1962	26
159	April 1962	36
160	May 1962	32
163	October 1962	38
170	October 1963	36@
171	December 1963	32@
172	February 1964	32@
173	April 1964	32@
174	June 1964	34@
175	August 1964	12	hoax issue by Phil Harrell
175	August 1968	18@
176	September 1968	42@
177	November 1968	42@
178	December 1968	52@
179	February 1969	42@
180	March 1969	40@
181	May 1969	44@
182	June 1969	36@
183	August 1969	48@
184	September 1969	46@
185	November 1969	38@
186	June 1970	50@
187	January 1989	50

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Publication

1950s—1989

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