Difference between revisions of "Morris Scott Dollens"

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'''Morris Scott Dollens''' was born in [[Minnesota]], and while living in Hastings, MN, was a member of the [[Minneapolis Fantasy Society]] and [[published]] ''[[Science Fiction Collector]]'' in the late 1930s.  In 1950, he published a portfolio of his art titled ''[[Fantasy in Art]]''.  He subsequently published ''[[Approach to Infinity]]''. He was an expert [[hectographer]].  
 
'''Morris Scott Dollens''' was born in [[Minnesota]], and while living in Hastings, MN, was a member of the [[Minneapolis Fantasy Society]] and [[published]] ''[[Science Fiction Collector]]'' in the late 1930s.  In 1950, he published a portfolio of his art titled ''[[Fantasy in Art]]''.  He subsequently published ''[[Approach to Infinity]]''. He was an expert [[hectographer]].  
  
He later became a [[Los Angeles]]-based artist who mainly did astronomical paintings. He used paint both for color and structure. He did covers for some books, mostly ones published by [[FPCI]], and for some [[prozines]]. Dollens regularly included work in [[LA area]] [[convention]] [[art shows]].  He was a member of [[LASFS]].  
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He later became a [[Los Angeles]]-based artist who mainly did astronomical paintings. He did covers for some books, mostly ones published by [[FPCI]], and for some [[prozines]]. He was a member of [[LASFS]].  
  
His work tended to be airbrushed space scenes done without too much color subtlety on masonite boards which were then lacquered. They were well-nigh indestructible.  For many [[fans]] in the ’60s and ’70s they were the only affordable astronomical art available.
+
Dollens regularly included work in [[LA area]] [[convention]] [[art shows]].  For many [[fans]] in the ’60s and ’70s they were the only affordable astronomical art available.
 +
 
 +
He used paint both for color and structure. His paintings tended to be airbrushed space scenes done without too much color subtlety on masonite boards which were then lacquered. They were well-nigh indestructible.  
  
 
'''More reading:'''
 
'''More reading:'''
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{{fanzines}}
 
{{fanzines}}
 
* ''[[Fantasy Fiction Digest]]'' [1937]
 
* ''[[Fantasy Fiction Digest]]'' [1937]
* ''[[Science Fiction Collector]]''
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* ''[[Science Fiction Collector]]'' [1936–37]
 +
* ''[[Fantasy in Art]]'' [1950]
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* ''[[Approach to Infinity]]'' [1951–52]
  
  

Revision as of 23:07, 4 January 2021

(April 14, 1920 – August 14, 1994)

Morris Scott Dollens was born in Minnesota, and while living in Hastings, MN, was a member of the Minneapolis Fantasy Society and published Science Fiction Collector in the late 1930s. In 1950, he published a portfolio of his art titled Fantasy in Art. He subsequently published Approach to Infinity. He was an expert hectographer.

He later became a Los Angeles-based artist who mainly did astronomical paintings. He did covers for some books, mostly ones published by FPCI, and for some prozines. He was a member of LASFS.

Dollens regularly included work in LA area convention art shows. For many fans in the ’60s and ’70s they were the only affordable astronomical art available.

He used paint both for color and structure. His paintings tended to be airbrushed space scenes done without too much color subtlety on masonite boards which were then lacquered. They were well-nigh indestructible.

More reading:

Awards, Honors and GoHships:

Fanzines and Apazines:



Person 19201994
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