Difference between revisions of "Max Keasler"
| Line 3: | Line 3: | ||
W. Max Keasler was a long-time [[St. Louis]] area [[fan]] who was one of the leading [[fans]] of the 1950s and of [[Sixth Fandom]], but had largely [[gafiated]] by the 60s. [[Ray Nelson]] had interested him in [[fandom]] and while still in high school, he had published ''[[Fanvariety]]'' in the very early 50s and for a time in the early 50s was enormously prolific with a rough and ready writing and editing style. | W. Max Keasler was a long-time [[St. Louis]] area [[fan]] who was one of the leading [[fans]] of the 1950s and of [[Sixth Fandom]], but had largely [[gafiated]] by the 60s. [[Ray Nelson]] had interested him in [[fandom]] and while still in high school, he had published ''[[Fanvariety]]'' in the very early 50s and for a time in the early 50s was enormously prolific with a rough and ready writing and editing style. | ||
| − | Along with [[Rich Elsberry]] and [[Roger Sims]], he was the actual renter of [[Room 770]] at [[Nolacon]], creator of [[Fanvariety Enterprises]], and published ''[[Opus]]''. He was known as an enemy of (or, at least, on unfriendly terms with) [[Grammar]]. He published ''[[Universal Fanvariety]]'' with [[Ray Nelson]]. He published ''[[Al la Baboom]]''. | + | Along with [[Rich Elsberry]] and [[Roger Sims]], he was the actual renter of [[Room 770]] at [[Nolacon]], creator of [[Fanvariety Enterprises]], and published ''[[Opus (Keasler)]]''. He was known as an enemy of (or, at least, on unfriendly terms with) [[Grammar]]. He published ''[[Universal Fanvariety]]'' with [[Ray Nelson]]. He published ''[[Al la Baboom]]''. |
''[[Opus]]'' ran into problems with the Post Office because of content -- [[fans]] saw [[Censorship]] -- and due to obscure regulations about staples. When one post office refused to mail it, he went to another and later said that "It's the first time I ever border-ran a fanzine." | ''[[Opus]]'' ran into problems with the Post Office because of content -- [[fans]] saw [[Censorship]] -- and due to obscure regulations about staples. When one post office refused to mail it, he went to another and later said that "It's the first time I ever border-ran a fanzine." | ||
Revision as of 01:39, 4 March 2020
(1932 -- August 12, 1968)
W. Max Keasler was a long-time St. Louis area fan who was one of the leading fans of the 1950s and of Sixth Fandom, but had largely gafiated by the 60s. Ray Nelson had interested him in fandom and while still in high school, he had published Fanvariety in the very early 50s and for a time in the early 50s was enormously prolific with a rough and ready writing and editing style.
Along with Rich Elsberry and Roger Sims, he was the actual renter of Room 770 at Nolacon, creator of Fanvariety Enterprises, and published Opus. He was known as an enemy of (or, at least, on unfriendly terms with) Grammar. He published Universal Fanvariety with Ray Nelson. He published Al la Baboom.
Opus ran into problems with the Post Office because of content -- fans saw Censorship -- and due to obscure regulations about staples. When one post office refused to mail it, he went to another and later said that "It's the first time I ever border-ran a fanzine."
He left fandom abruptly when he enlisted in the Navy, though he credited his fanac with getting him a good Navy job.
Lee Hoffman said of him, "Max was the personification of Sixth Fandom in America: young, witty, enthusiastic. He openly avowed that he never read science fiction. He blazed across the fan skies, speaking in interlineations, publishing monthly, filling the world with Ray Nelson drawings. Then he disappeared."
| Person | 1932—1968 |
| This is a biography page. Please extend it by adding more information about the person, such as fanzines and apazines published, awards, clubs, conventions worked on, GoHships, impact on fandom, external links, anecdotes, etc. See Standards for People and The Naming of Names. |
