Difference between revisions of "Morris Scott Dollens"
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'''Morrie Dollens''' was born in [[Minnesota]], and while living in Hastings, MN, was a member of the [[Minneapolis Fantasy Society]] and [[published]] ''[[Science Fiction Collector]]'' in the late 1930s. In 1950, he published a portfolio of his art titled ''[[Fantasy in Art]]''. He subsequently published ''[[Approach to Infinity]]''. He was an expert [[hectographer]]. | '''Morrie Dollens''' was born in [[Minnesota]], and while living in Hastings, MN, was a member of the [[Minneapolis Fantasy Society]] and [[published]] ''[[Science Fiction Collector]]'' in the late 1930s. In 1950, he published a portfolio of his art titled ''[[Fantasy in Art]]''. He subsequently published ''[[Approach to Infinity]]''. He was an expert [[hectographer]]. | ||
| − | He | + | He painted a number of backdrops for [[Clevention]], the 1955 [[Worldcon]], which were [[auction]]ed at the [[con]]’s end. |
| − | Dollens regularly included work in | + | He later became a [[Los Angeles]]-based artist who mainly did astronomical paintings. He did covers for some books, mostly ones published by [[FPCI]], and for some [[prozines]]. He was a member of [[LASFS]]. Dollens regularly included work in LA-area [[convention]] [[art shows]]. For many [[fans]] in the ’60s and ’70s, they were the only affordable astronomical art available. |
He used paint both for color and structure. His paintings tended to be airbrushed space scenes done without too much color subtlety on masonite boards which were then lacquered. They were well-nigh indestructible. | He used paint both for color and structure. His paintings tended to be airbrushed space scenes done without too much color subtlety on masonite boards which were then lacquered. They were well-nigh indestructible. | ||
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*[https://www.isfdb.org/cgi-bin/ea.cgi?Morris_Scott_Dollens Bibliography at ISFDB.] | *[https://www.isfdb.org/cgi-bin/ea.cgi?Morris_Scott_Dollens Bibliography at ISFDB.] | ||
*{{SFE|name=dollens_morris_scott}} | *{{SFE|name=dollens_morris_scott}} | ||
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{{fanzines}} | {{fanzines}} | ||
| + | * ''[[Approach to Infinity]]'' [1951–52] | ||
* ''[[Fantasy Fiction Digest]]'' [1937] | * ''[[Fantasy Fiction Digest]]'' [1937] | ||
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* ''[[Fantasy in Art]]'' [1950] | * ''[[Fantasy in Art]]'' [1950] | ||
| − | * ''[[ | + | * ''[[Science Fiction Collector]]'' [1936–37] |
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| + | {{recognition}} | ||
| + | * 1974 — [[Wyocon 1]] | ||
Revision as of 23:57, 11 September 2023
(April 14, 1920 – August 14, 1994)
Morrie Dollens was born in Minnesota, and while living in Hastings, MN, was a member of the Minneapolis Fantasy Society and published Science Fiction Collector in the late 1930s. In 1950, he published a portfolio of his art titled Fantasy in Art. He subsequently published Approach to Infinity. He was an expert hectographer.
He painted a number of backdrops for Clevention, the 1955 Worldcon, which were auctioned at the con’s end.
He later became a Los Angeles-based artist who mainly did astronomical paintings. He did covers for some books, mostly ones published by FPCI, and for some prozines. He was a member of LASFS. Dollens regularly included work in LA-area convention art shows. For many fans in the ’60s and ’70s, they were the only affordable astronomical art available.
He used paint both for color and structure. His paintings tended to be airbrushed space scenes done without too much color subtlety on masonite boards which were then lacquered. They were well-nigh indestructible.
More reading:
- “Morris Scott Dollens: A Tribute” by Roger Russell.
- Bibliography at ISFDB.
- Entry in The Encyclopedia of Science Fiction
- Approach to Infinity [1951–52]
- Fantasy Fiction Digest [1937]
- Fantasy in Art [1950]
- Science Fiction Collector [1936–37]
Awards, Honors and GoHships:
- 1974 — Wyocon 1
| Person | 1920—1994 |
| This is a biography page. Please extend it by adding more information about the person, such as fanzines and apazines published, awards, clubs, conventions worked on, GoHships, impact on fandom, external links, anecdotes, etc. See Standards for People and The Naming of Names. |
