Difference between revisions of "Trina Robbins"

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(August 17, 1938 –)
 
(August 17, 1938 –)
  
A [[BArea]] [[fanartist]], '''Trina Castillo''' (née Perlson, later '''Robbins''') started out [[letterhacking]] for [[prozines]] in the early 1950s, and got in touch with [[New York]] [[fans]]. She next entered [[fanzine]] [[fandom]] and created much [[zine]] artwork after she moved to the West Coast with her then husband, [[Art Castillo]].  
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A [[BArea]] [[fanartist]], '''Trina Castillo''' (née Perlson, later '''Robbins''') started out [[letterhacking]] for [[prozines]] in the early 1950s, and got in touch with [[New York]] [[fans]]. She next entered [[fanzine]] [[fandom]] and created much [[zine]] artwork after she moved to the [[West Coast]] with her then husband, [[Art Castillo]].
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Among her stock [[cartoon]] characters was a ponytailed [[femmefan]] wearing a [[propeller beanie]].  
  
 
In February 1960, she became the artwork, [http://fanac.org/fanzines/FANAC/FANAC053-01.html appearing on the cover] of ''[[Fanac (Carr)]]'' #53 wearing only a [[propeller beanie]] and a copy of [[Fancyclopedia 2]]. (She also had a brief career in the late 1950s and early ’60s as a pin-up model for such men’s magazines as ''Caper'' and ''[http://fanac.org/fanzines/FANAC/FANAC032-02.html Dude].'') She was the costume designer for ''Vampirella''. She sometimes used the [[pseudonym]] '''Trina Petit'''.
 
In February 1960, she became the artwork, [http://fanac.org/fanzines/FANAC/FANAC053-01.html appearing on the cover] of ''[[Fanac (Carr)]]'' #53 wearing only a [[propeller beanie]] and a copy of [[Fancyclopedia 2]]. (She also had a brief career in the late 1950s and early ’60s as a pin-up model for such men’s magazines as ''Caper'' and ''[http://fanac.org/fanzines/FANAC/FANAC032-02.html Dude].'') She was the costume designer for ''Vampirella''. She sometimes used the [[pseudonym]] '''Trina Petit'''.
  
Years later, as '''Trina Robbins''' (at some point, she married, and divorced, [[Paul Jay Robbins]]), she become a pro cartoonist and writer. She was an early and influential participant in the underground comix movement, and one of the few female artists in the fledgling underground comix movement. Later, she worked on the Wonder Woman comics.  
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Years later, as '''Trina Robbins''' (at some point, she married, then divorced [[Paul Jay Robbins]]), she become a pro cartoonist and writer. She was an early and influential participant in the underground [[comix]] movement, and one of the few female [[artist]]s in the fledgling underground comix movement. Later, she worked on the Wonder Woman [[comics]].  
  
 
Both as a cartoonist and historian, Robbins has long been involved in creating outlets for and promoting female comics artists. She is the author many works on women in comics, including  ''A Century of Women Cartoonists'' (Kitchen Sink, 1993).
 
Both as a cartoonist and historian, Robbins has long been involved in creating outlets for and promoting female comics artists. She is the author many works on women in comics, including  ''A Century of Women Cartoonists'' (Kitchen Sink, 1993).
  
 
She was the daughter of Yiddishist Max B. Perlson, and in 2017 published a translated, graphic novel version of his 1938 story collection, ''A Minyen Yidn''.  
 
She was the daughter of Yiddishist Max B. Perlson, and in 2017 published a translated, graphic novel version of his 1938 story collection, ''A Minyen Yidn''.  
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* [http://www.trinarobbins.com Website.]
  
 
{{recognition}}
 
{{recognition}}
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[http://www.trinarobbins.com Website]
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{{person | born=1938}}
 
 
 
 
{{person | website=http://www.trinarobbins.com | born=1938}}
 
 
[[Category:artist]]
 
[[Category:artist]]
 
[[Category:pro]]
 
[[Category:pro]]
 
[[Category:US]]
 
[[Category:US]]
 
[[Category:fan]]
 
[[Category:fan]]

Revision as of 15:07, 6 October 2021

(August 17, 1938 –)

A BArea fanartist, Trina Castillo (née Perlson, later Robbins) started out letterhacking for prozines in the early 1950s, and got in touch with New York fans. She next entered fanzine fandom and created much zine artwork after she moved to the West Coast with her then husband, Art Castillo.

Among her stock cartoon characters was a ponytailed femmefan wearing a propeller beanie.

In February 1960, she became the artwork, appearing on the cover of Fanac #53 wearing only a propeller beanie and a copy of Fancyclopedia 2. (She also had a brief career in the late 1950s and early ’60s as a pin-up model for such men’s magazines as Caper and Dude.) She was the costume designer for Vampirella. She sometimes used the pseudonym Trina Petit.

Years later, as Trina Robbins (at some point, she married, then divorced Paul Jay Robbins), she become a pro cartoonist and writer. She was an early and influential participant in the underground comix movement, and one of the few female artists in the fledgling underground comix movement. Later, she worked on the Wonder Woman comics.

Both as a cartoonist and historian, Robbins has long been involved in creating outlets for and promoting female comics artists. She is the author many works on women in comics, including A Century of Women Cartoonists (Kitchen Sink, 1993).

She was the daughter of Yiddishist Max B. Perlson, and in 2017 published a translated, graphic novel version of his 1938 story collection, A Minyen Yidn.

Awards, Honors and GoHships:



Person 1938
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