Difference between revisions of "Fred Smith"

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(1927 – )
  
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'''Fred (L.) Smith''' is a UK fan, fanzine editor and fan writer from [[Glasgow]], [[Scotland]], first active in the 1950s and then again from the 1990s.
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'''Fred L. Smith''' is a [[fan]], [[fanzine]] [[editor]] and [[fanwriter]] from [[Glasgow, Scotland]], first active in the 1950s and then again from the 1990s.
  
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He began reading sf around 1936 at the age of nine, discovering first ''[[Thrilling Wonder Stories]]'', closely followed by ''[[Amazing Stories]]'' and ''[[Astounding]]''. Later the public libraries introduced him to [[Wells]], [[Verne]] and [[Burroughs]].
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He began reading [[sf]] around 1936 at the age of nine, discovering first ''[[Thrilling Wonder Stories]]'', closely followed by ''[[Amazing Stories]]'' and ''[[Astounding]]''. Later, the public libraries introduced him to [[H. G. Wells]], [[Jules Verne]] and [[Edgar Rice Burroughs]].
  
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During the war he maintained a direct subscription to ''Astounding'' and the British reprint ''[[Unknown]]''. In 1946 his subscription expired and, the postal regulations having altered meanwhile, he was unable to renew it. At the same time his interest in science fiction waned anyhow: 'I was in the RAF from '45 to '48 end after being released spent a couple of years helling it up with local musicians, poets and artists and reading Litrachure – Gogol, Dostoevsky, James Joyce, Henry Miller, Dylan Thomas, etc.' (''[[Haemogoblin]]'' #4)
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During [[World War II]], he maintained a direct subscription to ''Astounding'' and the British reprint ''[[Unknown]]''. In 1946, his subscription expired and, the postal regulations having altered meanwhile, he was unable to renew it. At the same time, his interest in [[science fiction]] waned anyhow:  
 +
I was in the RAF from '45 to '48 end after being released spent a couple of years helling it up with local musicians, poets and artists and reading Litrachure – Gogol, Dostoevsky, James Joyce, Henry Miller, Dylan Thomas, etc. (''[[Haemogoblin]]'' 4)
  
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He began reading sf again around early 1950 with BRE ''Astounding'' and ''[[New Worlds]]'' and through ads in the latter discovered [[Wally Gillings]]'s ''[[Fantasy Review]]'', 'thereby realising all the good things I had been missing. So I went on a spending spree buying all the back issues of ''aSF'' I'd missed and lots of other books and magazines as well. From the reviewer in ''TWS'' and ''SS'' I found ''[[Slant]]'' and ''[[Operation Fantast]]'' and since that day I've never looked back, except with nostalgia (my favourite position.).'
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He began reading sf again around early 1950 with BRE ''Astounding'' and ''[[New Worlds]]'' and through ads in the latter discovered [[Wally Gillings]]'s ''[[Fantasy Review]]'',  
 +
thereby realising all the good things I had been missing. So I went on a spending spree buying all the back issues of ''[[aSF]]'' I'd missed and lots of other books and magazines as well. From the reviewer in ''[[TWS]]'' and ''[[SS]]'' I found ''[[Slant]]'' and ''[[Operation Fantast]]'' and since that day I've never looked back, except with nostalgia (my favourite position).
  
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In 1952 he was one of the founders of the [[New Lands SF Club]]. This group sponsored the first issue of ''[[Haemogoblin]]'' in late 1953, which he edited 'or rather “assembled” as [[Walt Willis]] put it'.
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In 1952, he was one of the founders of the [[New Lands SF Club]]. This group sponsored the first issue of ''[[Haemogoblin]]'' in late 1953, which he edited 'or rather “assembled” as [[Walt Willis]] put it'.
  
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In 1954 he was the seventeenth person to join [[OMPA]], thus becoming a Founder Member. His Ompazine was first ''[[Needle]]'' and then a revived ''Haemogoblin''. He attended the 1954 Eastercon ([[Supermancon]]) where according to [[Ethel Lindsay]] he was 'best remembered there for his impersonation of Boris Karloff. Very lifelike.' In 1957 he joined [[FAPA]].
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In 1954, he was the 17th person to join [[OMPA]], thus becoming a Founder Member. His Ompazine was first ''[[Needle]]'' and then a revived ''Haemogoblin''. He attended the 1954 [[Eastercon]] ([[Supermancon]]), where, according to [[Ethel Lindsay]], he was 'best remembered there for his impersonation of Boris Karloff. Very lifelike.' In 1957, he joined [[FAPA]].
  
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In a profile of "Scottish Fandom" in ''[[Contact (Bennett)]]'' #8 (February 1957, p. 4) Ethel Lindsay described Smith as 'the most active [Scottish] fan nowadays. A member of OMPA, he is also a great subscriber to fanzines. Often seen in [[letter columns]][,] his judgment on fanzines is good. He has been rather hampered this last year by studying for a music exam. Once this is past, you will be all hearing from him.'
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In a profile of "[[Scottish]] Fandom" in ''[[Contact (Bennett)]]'' 8 (February 1957, p. 4) Ethel Lindsay described Smith as  
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the most active [Scottish] fan nowadays. A member of OMPA, he is also a great subscriber to fanzines. Often seen in [[letter columns]][,] his judgment on fanzines is good. He has been rather hampered this last year by studying for a music exam. Once this is past, you will be all hearing from him.
  
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In ''Haemogoblin'' #4 Smith confirmed that he had 'managed to prise an ARCM Diploma out of the Royal College of Music. This has opened the doors to a teacher training college (Jordanhill, Glasgow) where I'm currently working a six months course terminating at Easter, when I should be a full fledged music teacher. Apart from studying “straight” or “serious” music for years I also play modern jazz piano and have worked professionally with several bands. Hobbies, apart from stf are record collecting and gliding, and at one time I built rather a lot of model aircraft; may even do something in that line again if I ever find the time.'
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In ''Haemogoblin'' 4, Smith confirmed that he had  
 +
managed to prise an ARCM Diploma out of the Royal College of Music. This has opened the doors to a teacher training college (Jordanhill, Glasgow) where I'm currently working a six months course terminating at Easter, when I should be a full fledged music teacher. Apart from studying “straight” or “serious” music for years I also play modern jazz piano and have worked professionally with several bands. Hobbies, apart from stf are record collecting and gliding, and at one time I built rather a lot of model aircraft; may even do something in that line again if I ever find the time.
  
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Smith did nevertheless drop out of fandom shortly afterwards, only re-emerging in the 1990s. He contributed letters and articles to fanzines including ''[[Banana Wings]]'', ''[[Mimosa]]'', ''[[Relapse]]'', ''[[Trap Door]]'' and ''[[Vibrator]]'' amongs others. Two articles in ''Banana Wings'' formed the first two parts of the book ''Once There Was A Magazine: A Personal View of Unknown and Unknown Worlds'' (2002). He also attended the [[Interaction]], the 2005 Worldcon, and [[Concussion]],the 2006 Eastercon, both in Glasgow.
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Smith did nevertheless drop out of fandom shortly afterwards, only re-emerging in the 1990s. He contributed letters and articles to fanzines including ''[[Banana Wings]]'', ''[[Mimosa]]'', ''[[Relapse]]'', ''[[Trap Door]]'' and ''[[Vibrator]]'' amongst others. Two articles in ''Banana Wings'' formed the first two parts of the book ''Once There Was A Magazine: A Personal View of Unknown and Unknown Worlds'' (2002). He also attended the [[Interaction]], the 2005 Worldcon, and [[Concussion]], the 2006 Eastercon, both in Glasgow.
  
 
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{{person | born=1927}}
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{{person | born=1927 |Locale=Glasgow, UK}}
 
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[[Category:UK]]

Latest revision as of 08:41, 7 January 2024

(1927 – )

Fred L. Smith is a fan, fanzine editor and fanwriter from Glasgow, Scotland, first active in the 1950s and then again from the 1990s.

He began reading sf around 1936 at the age of nine, discovering first Thrilling Wonder Stories, closely followed by Amazing Stories and Astounding. Later, the public libraries introduced him to H. G. Wells, Jules Verne and Edgar Rice Burroughs.

During World War II, he maintained a direct subscription to Astounding and the British reprint Unknown. In 1946, his subscription expired and, the postal regulations having altered meanwhile, he was unable to renew it. At the same time, his interest in science fiction waned anyhow: 

I was in the RAF from '45 to '48 end after being released spent a couple of years helling it up with local musicians, poets and artists and reading Litrachure – Gogol, Dostoevsky, James Joyce, Henry Miller, Dylan Thomas, etc. (Haemogoblin 4)

He began reading sf again around early 1950 with BRE Astounding and New Worlds and through ads in the latter discovered Wally Gillings's Fantasy Review, 

thereby realising all the good things I had been missing. So I went on a spending spree buying all the back issues of aSF I'd missed and lots of other books and magazines as well. From the reviewer in TWS and SS I found Slant and Operation Fantast and since that day I've never looked back, except with nostalgia (my favourite position).

In 1952, he was one of the founders of the New Lands SF Club. This group sponsored the first issue of Haemogoblin in late 1953, which he edited 'or rather “assembled” as Walt Willis put it'.

In 1954, he was the 17th person to join OMPA, thus becoming a Founder Member. His Ompazine was first Needle and then a revived Haemogoblin. He attended the 1954 Eastercon (Supermancon), where, according to Ethel Lindsay, he was 'best remembered there for his impersonation of Boris Karloff. Very lifelike.' In 1957, he joined FAPA.

In a profile of "Scottish Fandom" in Contact 8 (February 1957, p. 4) Ethel Lindsay described Smith as 

the most active [Scottish] fan nowadays. A member of OMPA, he is also a great subscriber to fanzines. Often seen in letter columns[,] his judgment on fanzines is good. He has been rather hampered this last year by studying for a music exam. Once this is past, you will be all hearing from him.

In Haemogoblin 4, Smith confirmed that he had 

managed to prise an ARCM Diploma out of the Royal College of Music. This has opened the doors to a teacher training college (Jordanhill, Glasgow) where I'm currently working a six months course terminating at Easter, when I should be a full fledged music teacher. Apart from studying “straight” or “serious” music for years I also play modern jazz piano and have worked professionally with several bands. Hobbies, apart from stf are record collecting and gliding, and at one time I built rather a lot of model aircraft; may even do something in that line again if I ever find the time.

Smith did nevertheless drop out of fandom shortly afterwards, only re-emerging in the 1990s. He contributed letters and articles to fanzines including Banana Wings, Mimosa, Relapse, Trap Door and Vibrator amongst others. Two articles in Banana Wings formed the first two parts of the book Once There Was A Magazine: A Personal View of Unknown and Unknown Worlds (2002). He also attended the Interaction, the 2005 Worldcon, and Concussion, the 2006 Eastercon, both in Glasgow.

Fanzines and Apazines:


Person 1927—
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